Are these mere solemn relics of disrupted narratives or are these images expressive of the general human predicament?
Ancestors: Fearing the Shadows was first exhibited as part of the German Pavilion at the 55th Venice Biennale in 2013. That year also marked the 100th anniversary of the passing of the Native Land Act, a cornerstone of the apartheid laws. What follows is an excerpt of that show. The emphasis, however, is different.
