Clive Zamani Xaba was born in 1980, Durban. Xaba attended the Saturday morning art classes run by Pat Khoza at the Durban Art Gallery from 1995. In 2001 he started attending art classes offered at the African Art Centre at the Durban Institute of Technology under Langa Magwa and Thando Mama.
Barely out of high school, Xaba in one of his untitled paintings addresses an issue that highlights the thin line that exists between traditional healing and inflicting injury. He takes a sensitive, private subject and subjects it to analysis. In this painting, which is set in a traditional hut, a sangoma is seen in the act of healing a man. This work was exhibited in a group show titled Untold Tales of Magic: Abelumbi, held at the Durban Art Gallery and which travelled nationally during 2001 and 2002. In responding to the theme, Xaba has drawn from his own experience of traditional healing. Zamani has been initiated into the practice by a qualified traditional healer and has also accompanied his father to visit his family in his rural home, where he has observed traditional sangomas at work. His interpretation of this theme dwells much on an interpretation of magic as a healing rather than a harmful process.
Clive Zamani Xaba was born in 1980, Durban. Xaba attended the Saturday morning art classes run by Pat Khoza at the Durban Art Gallery from 1995. In 2001 he started attending art classes offered at the African Art Centre at the Durban Institute of Technology under Langa Magwa and Thando Mama.
Barely out of high school, Xaba in one of his untitled paintings addresses an issue that highlights the thin line that exists between traditional healing and inflicting injury. He takes a sensitive, private subject and subjects it to analysis. In this painting, which is set in a traditional hut, a sangoma is seen in the act of healing a man. This work was exhibited in a group show titled Untold Tales of Magic: Abelumbi, held at the Durban Art Gallery and which travelled nationally during 2001 and 2002. In responding to the theme, Xaba has drawn from his own experience of traditional healing. Zamani has been initiated into the practice by a qualified traditional healer and has also accompanied his father to visit his family in his rural home, where he has observed traditional sangomas at work. His interpretation of this theme dwells much on an interpretation of magic as a healing rather than a harmful process.