Andrew Tshabangu’s two decades-plus visual repertoire, the best of which was showcased earlier this year at Johannesburg’s Standard Bank Gallery and Gallery MOMO in Footprints, is provocative and ultimately liberating. With its exploration of blackness as a lived, if banal and mundane experience (just as it is with any other racial group), Footprints, which was curated by Thembinkosi Goniwe, is also notable for its simplicity and aching, often sweeping quietness, and clarity. In “The Value of Andrew Tshabangu’s Photographs;” an essay in the accompanying monograph, published by Fourthwall Books, the curator, critic and novelist Simon Njami tells us that Tshabangu’s journey began in the place where he was born, namel South Africa.
“While biography is never a trivial part of the analysis of any artist’s work.” Niami writes. “in Tshabangu’s case the contextual elements seem to render fundamental clues to a deeper understanding of his universe.”