Andrew Verster died peacefully in his bed on Sunday 16th February. It was the kind if death he would have wished for. No fuss, no drama – an end to a life well lived. Since his life partner, Aidan Walsh, died in July 2009 it seemed that life was never quite the same for him.
However notwithstanding his personal loss Andrew never lost his love of creating. Creating was, after all, his life. At his Retrospective Exhibition in 2008 he said “If I had to choose one label for myself and only one it would be Painter. He continued – Working as a full time artist for twenty five years has meant that I have to be versatile and develop a lot of skills so that I could take on a variety of commissions. This does not mean I am skilled in the media I work in – such as tapestry, or carpet making or wood carving as I have done for the new Constitutional Court – rather that I collaborate with people who DO have the skills. But I have to know enough of the possibilities of each of the processes in order to be able to design in them.”
The skills he mentioned were just a small part of the other things he did – he designed Opera and Theatre costumes. He worked with architects designing etched glass, stainless steel panels and many other public art commissions.
He was a poet, a writer of short stories, an art critic and served on many boards such as the Film and Publication Review Board, the Durban Art Works Trust, Very Special Arts, Artists for Human Rights Trust, African Art Centre and the Grahamstown Festival Visual Arts Board.
He has had over fifty solo exhibitions and was honoured with an Honorary Doctorate by the Durban University of Technology in 2009. Not that you would ever know it – he was a remarkably modest man who accepted his accolades graciously and then almost forgot about them – he was never too busy to give advice to anyone who sought it. He was always nurturing, encouraging and supportive.
As a teacher he was vastly influential – he nurtured generations of young artists who have gone on to greater things and who always lovingly speak of him as a mentor.
Andrew lived through tumultuous times in South Africa and in the 40-odd years that I have known him I never heard him despair or complain or decry the changes – if he didn’t like what was happening he addressed the issues in an outright manner and embraced the future with an unfettered optimism. He always saw the positive side of things and looked forward to new ideas and challenges.
And yet, he was private person who loved being at home with Aidan where they both led a life of creativity surrounded by the beauty of their tropical Durban Berea home environment which attracted creatives from around the country and the world. Andrew led a good life and one which influenced many others and has left an enormous legacy. He had high standards in everything he did and his influence will live on.
We cannot ask for more from the lifespan we are given
However notwithstanding his personal loss Andrew never lost his love of creating. Creating was, after all, his life. At his Retrospective Exhibition in 2008 he said “If I had to choose one label for myself and only one it would be Painter. He continued – Working as a full time artist for twenty five years has meant that I have to be versatile and develop a lot of skills so that I could take on a variety of commissions. This does not mean I am skilled in the media I work in – such as tapestry, or carpet making or wood carving as I have done for the new Constitutional Court – rather that I collaborate with people who DO have the skills. But I have to know enough of the possibilities of each of the processes in order to be able to design in them.”
The skills he mentioned were just a small part of the other things he did – he designed Opera and Theatre costumes. He worked with architects designing etched glass, stainless steel panels and many other public art commissions.
He was a poet, a writer of short stories, an art critic and served on many boards such as the Film and Publication Review Board, the Durban Art Works Trust, Very Special Arts, Artists for Human Rights Trust, African Art Centre and the Grahamstown Festival Visual Arts Board.
He has had over fifty solo exhibitions and was honoured with an Honorary Doctorate by the Durban University of Technology in 2009. Not that you would ever know it – he was a remarkably modest man who accepted his accolades graciously and then almost forgot about them – he was never too busy to give advice to anyone who sought it. He was always nurturing, encouraging and supportive.
As a teacher he was vastly influential – he nurtured generations of young artists who have gone on to greater things and who always lovingly speak of him as a mentor.
Andrew lived through tumultuous times in South Africa and in the 40-odd years that I have known him I never heard him despair or complain or decry the changes – if he didn’t like what was happening he addressed the issues in an outright manner and embraced the future with an unfettered optimism. He always saw the positive side of things and looked forward to new ideas and challenges.
And yet, he was private person who loved being at home with Aidan where they both led a life of creativity surrounded by the beauty of their tropical Durban Berea home environment which attracted creatives from around the country and the world. Andrew led a good life and one which influenced many others and has left an enormous legacy. He had high standards in everything he did and his influence will live on.
We cannot ask for more from the lifespan we are given